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If you want funky, this is it! In a nutshell, this is Tower of Power meets Gordon Goodwin, simple as that. Solo space provided for alto, tenor, bari, trumpet, trombone, and various rhythm players.

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Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder « what’s he doing there? ». Now you’ll know! Here, as never before, is an opportunity to see real jazz piano voicings and comping over real songs in real live musical settings.

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Paul Johnston’s arrangements of these wonderful standards incorporate stylistic elements of some of the great pianists of the last 60 years, including Bud Powell, Oscar Peterson, Bill Evans, Chick Corea, Keith Jarrett and others. Each arrangement includes a written-out solo section, so that even non-jazz pianists will feel as if they’re improvising. Titles: Alice in Wonderland (Farn/Hilliard) * The Days of Wine and Roses (Mancini) * Eternal Triangle (Stitt) * A Foggy Day (Gershwin) * Our Love Is Here to Stay (Gershwin) * Over the Rainbow (Arlen/Harburg) * Scrapple from the Apple (Parker) * Skylark (Mercer/Carmichael) * When I Fall In Love (Young/Heyman) * You’d Be So Nice to Come Home To (Porter).

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The goal of Modal Jazz Composition and Harmony, Volume 1 by Ron Miller is to show the student the means to develop latent creative abilities by offering the unfettered environment of the chromatic-modal system and free asymmetric form. The freedom of the approach will allow the composer to express him/herself in any style: post 50s jazz, ECM, fusion, pop, classical, etc., that is not tied to any harmonic particulars.

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Jazz Improvisation and Pentatonic by Adelhard Roidinger is a comprehensive guide to scales and related chords, offering practical advice on how they may be used in jazz improvisation. The accompanying CD contains play-along tracks to the exercises as well as compositions by the author.

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Jazz Conception is an exciting way for players at all levels to learn the language of jazz! Jazz Conception: Bass Trombone Book and CD set features 21 solo etudes based on chord changes to standards and blues. See and hear how a well-known soloist phrases, articulates, and plays along with or without the soloist on the CD. Play along with one of today’s finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult. Use the etudes as a bridge to solos of the masters that are usually more complicated and involved. Learn melodies and lines that will give you a solid jazz vocabulary and musicality. Use the book and CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes off the MP3 CD (then check against the book), or for just having fun playing along with a great jazz rhythm section. Use as an improvisation study, learning how to construct a swinging, logical solo—works especially well in combination with the Study Guide (item #01-ADV14730). Titles: Groove Blues * Amen * A Doll * Total Blues * Grease * Rose * Joe’s Thing * Proxy * Father Song * Ind Line * Miles * Blue Minor * Autumn * Friends * Great Love * Two Plus Two * Lunar * Tunisia * Bird Blues * Somewhere * Passage.

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The trumpet section moves front and center to demonstrate their lightning technique required to perform Travelin’ Trumpets. The director is encouraged to proivide a brisk tempo which should cause fingers to fly. The band accompaniment is rather easy since the trumpet section does most of the work. Hopefully, nothing will catch fire!

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More than a pattern book, this 80-page spiral-bound book lays out the theory behind the use of pentatonic scales in jazz, and follows with 12 pages of transcribed solos and 40 pages of exercises. Still a favorite after 14 years, this book has become a standard in the field.

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Comprehensive Jazz Studies and Exercises for All Instruments. Condition is Good. Shipped with USPS Media Mail.

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Created for amateur or professional jazz pianists, this path takes you step-by-step through all essential aspects of the linear approach. Part II: Voice Leading, Scales, and Chord Progressions approaches jazz harmony from a linear rather than a vertical perspective.

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