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Gershwin Facsimile Editions are reproductions of Gershwin’s original orchestral manuscripts which are housed at the Library of Congress in Washington. These volumes are annotated, have historical articles about each work, and contain much information not generally found elsewhere.

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Gershwin Facsimile Editions are reproductions of Gershwin’s original orchestral manuscripts which are housed at the Library of Congress in Washington. These volumes are annotated, have historical articles about each work, and contain much information not generally found elsewhere.

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George Gershwin®, inspired by local singing and dancing groups while vacationing in Havana, Cuba in 1932, wrote this work which has now become an innovative contribution to his signature style. Mark Rogers’ new edition utilizes all the original music and orchestration, with modifications that allow for improved intonation while retaining Gershwin’s creativity. An enormous contribution to the literature. (9:50) Recording of the United States Coast Guard Band, Lieutenant Kenneth W. Megan, Director

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The second prelude is for A clarinet or B-flat clarinet.

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This trio of golden Gershwin favorites is a perfect feature for the women. Teena’s expertise with standards is obvious in the quality of this arrangement. Use this one for concert, festival or show. Magnificent!

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George Gershwin’s own piano solo arrangement of his classic contemporary masterpiece for piano and orchestra. This masterful measure-for-measure two-hand adaptation of the complete modern concerto for piano and orchestra incorporates all orchestral parts and piano passages into two staves while retaining the clarity, sonority, and brilliance of the original. Advanced pianists will enjoy the experience of playing one of the 20th Century’s most famous compositions, arranged by the composer himself to retain all the grandeur and sparkle of the original work.

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This is the second book of a two-volume series presenting highlights from the careers of George and Ira Gershwin. Volume two documents 50 songs from shows such as Porgy and Bess and Hollywood films like Shall We Dance. Included are a song-by-song essay, rare images of original sheet music, and family photos. Titles: A Foggy Day * Blah, Blah, Blah * Changing My Tune * Fun to Be Fooled * Gotta Have Me Go with You * I Got Plenty O’ Nuttin’ * Isn’t It a Pity * Just Another Rhumba * Let’s Call the Whole Thing Off * My Ship * Nice Work If You Can Get It * Of Thee I Sing (Baby)! * Shall We Dance * Summertime * They All Laughed * They Can’t Take That Away from Me * Things Are Looking Up * Wintergreen for President * You’ve Got What Gets Me * and many more.

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George Gershwin’s three most famous preludes demonstrate his genius for piano writing, and portray a variety of styles. Prelude I exudes energetic syncopation, Prelude II is a lyric blues with an ostinato-like accompaniment, and Prelude III closes this set brilliantly with rugged rhythms and exciting syncopations. All three preludes are Federation Festivals 2016-2020 selections.

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