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1920s Orchestra Charts, Arangements, Transcriptions1920s Orchestra Library. 173 charts (written arrangements). Over 120 note-for-note transcriptions from the original hit recordings and over 45 original arrangements, all written by ASCAP arranger/composer/transcriber Mike Henebry (most likely the world’s leading transcriber of this kind of music). These are mostly pre-Swing Era charts (1923-1935). The charts are instrumentals and vocals (male & female). Each chart contains all the parts (scores are not always included). Instrumentation is generally 10-11-pc (1st alto, 2nd tenor, 3rd alto, 2 trumpets, trombone, piano, bass, banjo/guitar, drums, optional violin). All charts are sent to you anywhere in the world as pdf files. So, you will have no postage, no storage problems, you will have a permanent file copy, and you can print out as many copies as you want. These are charts that could easily sell for $50 apiece. The « Buy Now » price of $60 makes the charts only 35 cents each! There’s no catch, it’s just an incredible bargain! All charts will be sent to you anywhere in the world as pdf files. A download link will be emailed to you! 1. List of Charts: Accordion Joe (Cornell & His Orchestra, ‘30)2. Ain’t She Sweet (arrangement) 3. All I Do is Dream of You (’34 Ray Noble w/ Al Bowlly) (with optional 4th sax) 4. All That Jazz/Overture (from Movie “Chicago”) (female vocal)5. Alone at Last (Coon-Sanders Nighthawks, ’25)6. All I Do Is Dream of You (’34 Ray Noble)7. Am I Blue? (’29 Ben Selvin w/ Smith Ballew)8. An’ Furthermore (’28 Irving Aaronson)9. An’ Furthermore (’27 Beth Challis Orch.)10. April Showers (arrangement)11. Big John’s Special (’34 Fletcher Henderson)12. Black Beauty (’28 Duke Ellington)13. Blue Room (arrangement)14. Bourbon St. Parade (arrangement) clarinet, alto, tenor, trumpet trombone + rhythm15. Borneo (’28 Frank Trumbauer, Bix Beiderbecke, et.al)16. Blue Moon (’35 Ray Noble/Al Bowlly)17. Brother, Can You Spare A Dime? (’32 Bing Crosby/Lennie Heyton)18. Button Up Your Overcoat (’28 Helen Kane)19. By The Beautiful Sea (arrangement)20. By The Light of The Silvery Moon (arrangement)21. Cantina Band (Star Wars Movie)22. Casey Jones Blues (’29 Andy Kirk)23. Changes (’27 Paul Whiteman) (Copied From Bill Challis Score)24. Chant, The (based on CJ Sams arrangement)25. Clementine From New Orleans (’27 Jean Goldkette)26. Cotton Club Stomp (’29 Duke Ellington)27. Cotton Club Stomp (’30 Duke Ellington)28. Crazy Charleston (original composition)29. Crazy Rhythm (arrangement)30. Cushion Foot Stomp (arrangement)31. Dangerous Nan McGrew (’30 Helen Kane)32. Dance of The Cuckoos (Laurel & Hardy) (2 clarinets only) $233. Daybreak Express Medley (’33-’34 Duke Ellington) (Cotton Club Movie Soundtrack)34. Dinah (’32 Cab Calloway)35. Dinah (’31 Bing Crosby & Mills Bros.)36. Do Something (’28 Helen Kane)37. Don’t Be Like That (’28 Helen Kane)38. Double Check Stomp (’30 Duke Ellington)39. Down South Camp Meeting (’34 Fletcher Henderson)40. Drop Me Off In Harlem (’33 Duke Ellington)41. East St. Louis Toodle-OO (’27 Duke Ellington)42. Embraceable You (female vocal) (arrangement)43. Embraceable You, instrumental (arrangement)44. Everybody Loves My Baby (’32 Boswell Sisters)45. Everybody Stomp! (’25 Andy Preer)46. From The Top Of Your Head (male vocal) (arrangement)47. Get ‘Em In A Rumble Seat (1927) (male vocal duet) (arrangement)48. Gimme A Little Kiss (arrangement)49. Glad Rag Doll (’28 Golden Gate Orch. aka California Ramblers)50. Glad Rag Doll (arrangement)51. Goin’ Nuts (’29 Duke Ellington)52. Good-Little Bad-Little You (arrangement)53. Good Old Days (’30 Little Rascals Theme)54. Guy What Takes His Time, A (’32 Mae West)55. Harlem Bound (’33 Freddy Johson & His Harlemites)56. Heartaches (’33 Ted Weems)57. He’s So Unusual (’29 Helen Kane)58. Honolulu Baby (’33 Laurel & Hardy)59. Hora Medley (arrangement)60. How Could Red Riding Hood? (arrangement)61. How Long Will It Last? (male vocal) (arrangement) 62. Hummin’ To Myself (’32 Ambrose)63. I’d Rather Be Blue Over You (’29 Louis Katzman & the Brunswick Orch.)64. If You Believed in Me (arrangement)65. If You Knew Susie (arrangement)66. I Found A Million Dollar Baby (arrangement)67. I Wanna Be Loved By You (arrangement)68. I Wanna Be Loved By You (’28 Helen Kane)69. I Want To Be Bad (’28 Helen Kane)70. I’ll Never Be The Same (’32 Carroll Gibbons)71. I’m A Little Blackbird Looking For a Bluebird (’24 Clarence Williams & His Blue Five) (expanded)72. Ill Wind (Cotton Club Movie Soundtrack) (female vocal)73. Inka Dinka Doo (’34 Jimmy Durante) (male vocal)74. Is There Anything Wrong In That? (’28 Helen Kane)75. It Don’t Mean A Thing (’32 Duke Ellington)76. It Had To Be You (arrangement)77. It Happened In Sun Valley (’41 Glenn Miller)78. It Must Be True (Palm Court Theatre Court Orchestra)79. It’s All Forgotten Now (’34 New Mayfair Orchestra with Al Bowlly)80. It’s Love (’31 Gus Arnheim)81. I’ve Got A Crush On You (female vocal) (arrangement)82. Jazz Baby (vocal, C) (Carol Channing, Thoroughly Modern Millie) (female vocal)83. Jazz Baby (vocal, Eb) (Carol Channing, Thoroughly Modern Millie) (female vocal)84. Jazznocracy (’34 Jimmie Lunceford)85. Jungle Nights In Harlem (’31 Duke Ellington)86. Just One More Chance (male vocal) (arrangement)87. Keep Your Sunny Side Up (’29 Johnny Hamp’s Kentucky Serenaders)88. Let’s Misbehave (arrangement)89. Let’s Misbehave (a la Bordoni) (female vocal) (arrangement)90. ‘Leven Thirty Saturday Night (’30 Ambrose)91. Love Is The Sweetest Thing (arrangement)92. Ma! (He’s Making Eyes At Me) (arrangement)93. Margie (arrangement)94. Maori (’30 Duke Ellington)95. May I? (’34 Bing Crosby/Matt Finston Orch.)96. Me And The Man In The Moon (’28 Helen Kane)97. Me Minus You (’32 Rudy Vallee)98. Merrily We Roll Along $599. Midnight With The Stars And You (’34 Ray Noble) 100. Minnie The Moocher (’31 Cab Calloway) (male vocal)101. Miss Hannah (’29 McKinney’s Cotton Pickers)102. Mooch, The (’28 Duke Ellington)103. Mood Indigo (’30 Duke Ellington)104. Moonlight Bay (arrangement)105. Moonlight Savings Time (’31, Jack Payne)106. Moten Stomp (’27 Bennie Moten)107. My Pretty Girl (’27 Jean Goldkette)108. Nagasaki (arrangement)109. Never in A Million Years (’37 Ben Bernie/Buddy Clark) (male vocal)110. New Call of The Freaks, The (’29 Luis Russell)111. New Orleans Twist (expanded) (’35 Gene Gifford & His Orch.)112. Nighthawk Blues (’24 Coon-Sanders Nighthawks) (male vocal duet)113. Oh! If I Only Had You (’26 Ted Weems)114. Oh! Johnny (arrangement)115. Oh! Miss Hannah (’29 Paul Whiteman)116. Oh! You Beautiful Doll (arrangement)117. Oily Rag (original composition)118. One Hour With You (arrangement)119. Our Love Is Here To Stay (arrangement)120. Ozark Mountain Blues (’29 Missourians)121. Peggy (’29 McKinney’s Cotton Pickers)122. Play A Simple Melody (vocal duet) (arrangement)123. Please (’32 Bing Crosby & Anson Weeks Orch.) key of Ab124. Please (’32 Bing Crosby & Anson Weeks Orch.) record key (A)125. Radio (arrangement)126. Radio Rhythm (Fletcher Henderson, 1931)127. Rent Party Blues (’29 Duke Ellington)128. Rhapsody In Blue (From ’24 Ferdie Grofe Score) $25129. Rhythm Man (’32 Casa Loma Orchestra)130. Ring Dem Bells (’30 Duke Ellington)131. Rockin’ In Rhythm (’31 Duke Ellington)132. Royal Garden Blues (’30 Casa Loma Orch.)133. Saxophobia (arrangement)134. Singin’ The Blues (’27 Frank Trumbauer, Bix Beiderbecke, et.al) $8135. Sittin’ On a Rubbish Can (Julia Gerity, 1931) 136. Skirts (’30 Slatz Randall)137. Smile When The Raindrops Fall (’30 Laurel & Hardy)138. Solace (Scott Joplin, “The Sting” Soundtrack)139. Some Sweet Day (’28 McKinney’s Cotton Pickers)140. Stampede (’26 Fletcher Henderson)141. Stevedore Stomp (’29 Duke Ellington)142. Sunday (’26 Jean Goldkette)143. Sunshine (arrangement)144. Sweet Georgia Brown (’32 Bing Crosby)145. Sweet Man (’25 California Ramblers)146. Swing Era Medley (with some female vocals) $20 (long) (arrangement)147. Tain’t So, Honey Taint So (arrangement)148. That’s My Weakness Now (’28 Helen Kane) (female vocal)149. That’s What I Like About You (arrangement)150. There’s Too Many Eyes That Wanna Make Eyes at Two Pretty Eyes I Love (’29 Ted Weems)151. They Call Me Sister Honky Tonk (’33 Mae West)152. Thoroughly Modern Millie (arrangement)153. Tiger Rag (’29 Duke Ellington)154. Toby (’32 Bennie Moten)155. Toot Toot Tootsie (arrangement)156. Train Kept a-Rollin’ (1951 Tiny Bradshaw)157. Truckin’ (’35 Duke Ellington)158. Variety Stomp (’25 Fletcher Henderson)159. Vine St. Drag (’29 Missourians)160. Waitin’ For Katie (’27 Ben Pollack)161. What About Me (’34 George Hall)162. What A Day! (’29 Ted Weems)163. What A Girl! What A Night! (’28 Coon-Sanders Nighthawks)164. When (’28 Paul Whiteman)165. When (from original ’28 Paul Whiteman/George Gershwin score)166. When Erastus Plays His Old Kazoo (arrangement) 167. (Make My Cot) Where The Cot-Cot-Cotton Grows (arrangement)168. Who? (arrangement)169. Wrappin’ It Up (’34 Fletcher Henderson)170. Yam Brown (Keith Nichols/Duke Ellington) 171. Yiddisha Charleston (’26 Sam Lannin Dixie Daisies) 172. You (’23 Roy Schoenbeck) 173. You Hit The Spot (’35 Richard Himber and His Ritz Carlton Orchestra) (with optional 4th sax)

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